Textile - Carl Malmsten https://carlmalmstenstiftelsen.se/en/produkter/textiles/ Möbelmästaren Thu, 15 Dec 2022 13:08:29 +0000 en-US hourly 1 https://carlmalmstenstiftelsen.se/wp-content/uploads/2020/05/logo_mini.svg Textile - Carl Malmsten https://carlmalmstenstiftelsen.se/en/produkter/textiles/ 32 32 Campagna fabric https://carlmalmstenstiftelsen.se/en/produkt/campagna/ Wed, 19 Dec 2018 15:57:00 +0000 http://carlmalmsten.se/produkt/campagna/ The pattern of stylised flowers in straight lines was composed in the mid-1930s and was first block-printed by Elsa Gullberg. Carl Malmsten used the fabric for his interiors, for example at the Swedish Institute in Rome and the Supreme Court in Stockholm. It is currently not in production. DESIGNED 1930s MATERIAL Linen SIZE Width: 150 […]

Inlägget Campagna fabric dök först upp på Carl Malmsten.

]]> The pattern of stylised flowers in straight lines was composed in the mid-1930s and was first block-printed by Elsa Gullberg. Carl Malmsten used the fabric for his interiors, for example at the Swedish Institute in Rome and the Supreme Court in Stockholm. It is currently not in production.

DESIGNED

1930s

MATERIAL

Linen

SIZE

Width: 150 cm

 

Inlägget Campagna fabric dök först upp på Carl Malmsten.

]]> Fågel Blå fabric https://carlmalmstenstiftelsen.se/en/produkt/fagel-bla/ Wed, 19 Dec 2018 12:40:48 +0000 http://carlmalmsten.se/produkt/fagel-bla/ The pattern with birds and flowers was one Carl Malmsten’s first designs. He made it for the Home Exhibition 1917 at Liljevalchs art museum, which opened the same year. The exhibition was organised by the Swedish Society of Crafts and Design and had a clearly stated social agenda. There was a campaign for simplicity in […]

Inlägget Fågel Blå fabric dök först upp på Carl Malmsten.

]]> The pattern with birds and flowers was one Carl Malmsten’s first designs. He made it for the Home Exhibition 1917 at Liljevalchs art museum, which opened the same year. The exhibition was organised by the Swedish Society of Crafts and Design and had a clearly stated social agenda. There was a campaign for simplicity in furnishings and a Swedish style – also when it came to wallpaper patterns. The organisers had estimated that around 8,000 people would come to the exhibition, but during the two months that it was showing no less than 40,000 people turned up. However, the working classes, which they had hoped to attract, were conspicuous by their absence. Instead, the “every day products” shown at the exhibition became a new fashion for the better off. Fågel Blå is also produced as wallpaper, printed with a 100-year-old collagraph machine at Lim & Handtryck.

DESIGNED

1917

MATERIAL

Wool 85%, polyamide 15%.

SIZE

Width: 150 cm Repeat: 50 x 76 cm

Inlägget Fågel Blå fabric dök först upp på Carl Malmsten.

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