{"id":4020,"date":"2021-09-23T10:45:58","date_gmt":"2021-09-23T08:45:58","guid":{"rendered":"https:\/\/carlmalmsten.se\/?p=4020"},"modified":"2021-12-13T10:55:55","modified_gmt":"2021-12-13T09:55:55","slug":"jonkoping-2","status":"publish","type":"post","link":"https:\/\/carlmalmstenstiftelsen.se\/en\/jonkoping-2\/","title":{"rendered":"J\u00f6nk\u00f6ping"},"content":{"rendered":"

The cabinet was designed by Carl Malmsten in 1956 in collaboration with the interior designer Eyvind Beckman. It was made for J\u00f6nk\u00f6ping County Museum for the display of artefacts, but was only recently brought into production and is now part of the new Archive Collection.<\/span><\/p>\n\"\"\n

\u201dIt has such a fine construction\u201d, says cabinet maker Martin Altwegg. The glass is fixed in a groove, without any nails or screws. The doors on the sides give a solid glass display front. The leg stand is held together with pegs, which means the cabinet can be assembled without fixings.<\/span><\/p>\n

In addition to the first prototype, two cabinets have been ordered. One has recently been delivered and the other is in the finishing stages. They are made by Martin in his workshop in Sandemar old school, where he and the family live. It takes him at least 50 hours to make a cabinet. So far, they have been made in birch, but he is considering using other types of wood.<\/span><\/p>\n

Developing prototypes for Carl Malmsten and ensuring that the furniture made by the different licensed manufacturers maintain high quality requires solid knowledge both in the craft of cabinet making and industrial production technology. And a good eye for design.<\/span><\/p>\n\"\"\n

 <\/p>\n

Martin Altwegg is cut out for the job.<\/span><\/p>\n

In spring 2001, Martin together with his classmates became the first ever students to gain an academic degree in furniture making in Sweden (and perhaps in the world). This, since Malmstensskolan became a part of Link\u00f6ping University and the course changed from two to three years. When Martin, who was born in Switzerland, had finished his journeyman\u2019s masterpiece he returned to Z\u00fcrich for four years study in industrial design.<\/span><\/p>\n

\"\"

Martin Altwegg<\/p><\/div>\n

Today, Martin lives in the old school together with Lilian de Souza and their three children, and has been teaching at Malmstens Link\u00f6ping University for ten years. He also runs his own joinery with Malmsten, Svenskt tenn and K\u00e4llemo as clients. In addition, Martin and Lilian have their own brand Atelj\u00e9 Sandemar, with a first collection produced in collaboration with designer David Ericsson.<\/span><\/p>\n

\u201dWhen working with Malmsten furniture, I naturally start with the original drawing. But I also have to investigate the possibilities of adapting it to modern production methods to ensure that manufacturing at the selected furniture companies is efficient\u201d, he says.<\/span><\/p>\n

This thus becomes quality control as well as an aid for the manufacturers. A joint process. And all changes are carefully documented.<\/span><\/p>\n

\u201dAll pieces of furniture should breathe quality, that is the be-all and end-all\u201d, says Martin. I want to see a distinct form and good surface finish. The material must be of high quality and carefully chosen.\u201d<\/span><\/p>\n

\u201cThis may sound obvious, but is not as easy when talking about joinery largely linked to industrial production\u201d, he explains.<\/span><\/p>\n

\u201dThe end result is to produce furniture of very high quality. And that Malmsten furniture from different manufacturers should blend, speak the same language, when they stand together in a home\u201d.<\/span><\/p>\n\"\"\n

The crafting of the exclusive J\u00f6nk\u00f6ping cabinet has been left entirely to Martin by the Siv and Carl Malmsten Foundation.<\/span><\/p>\n

Dan Gordan<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The cabinet was designed by Carl Malmsten in 1956 in collaboration with the interior designer Eyvind Beckman. It was made for J\u00f6nk\u00f6ping County Museum for the display of artefacts, but was only recently brought into production and is now part of the new Archive Collection. \u201dIt has such a fine construction\u201d, says cabinet maker Martin […]<\/p>\n","protected":false},"author":6,"featured_media":3951,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[13],"tags":[],"class_list":["post-4020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"yoast_head":"\nJ\u00f6nk\u00f6ping - Carl Malmsten<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carlmalmstenstiftelsen.se\/en\/jonkoping-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"J\u00f6nk\u00f6ping - Carl Malmsten\" \/>\n<meta property=\"og:description\" content=\"The cabinet was designed by Carl Malmsten in 1956 in collaboration with the interior designer Eyvind Beckman. 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